To cull her sweet flower, I was obliged to infuse an opiate in her coffee.
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The Grecian slave, I rejoice to say again, I found a pure maid her virginity I sacrificed on the Beiram feast of our Holy Prophet. The bearer of this dispatch has the care of a pair of beautiful stallions which I lately captured from a tribe of Askulites they made an inroad into a part of my territories from the desert, but I came upon them by surprise, and properly chastised their presumption: not more than a hundred escaped out of two thousand indeed I was in no humour to spare them, they having disturbed me in a scene of pleasure, for which mere could be no pardon, but more of this hereafter. I allude to the Grecian maid (for so she was) you sent me with the treasure. Muzra, thy friend greets thee, with thanks for thy late present. The boat waits to convey us on board at the Momerbank, as the captain calls it Farewell, Sylvia, comfort poor Henry, when I think of him I feel what it is impossible to describe.Īli, Dey of Algiers, to Muzra, Dey of Tunis The wind having been fair for some hours, if we had not appeared as we did, he would have sailed without us truly happy should I have been if he had and if I had known that a trifling delay on the road would have prevented our departure, I most certainly would have created it.Īdieu, my dear Sylvia, a long adieu. On our arrival we found the captain of the Indiaman anxiously expecting us. I can now only supplicate heaven for a speedy return. Heaven knows how fondly I dwelt upon the hopes of shortly becoming the happy wife of your brother, you may guess (but I pray that you may never feel) the anguish caused by such a separation. Oh, Sylvia! how cruel is the sacrifice exacted in our obedience to our parents how happy had I been if this uncle of mine had never existed! My mother, my friend, my lover-all, all I hold dear-sacrificed to the prospect of possessing this uncle's wealth. Poor Eliza did everything in her power on the road to this place to amuse my wounded feelings, but it was beyond the extent of her artless sophistry to remove the weight that pressed upon my heart.
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Do all you can to comfort him, tell him although I obey my mother's and my uncle's wishes, still my heart in every clime will be true to him. Never shall I forget the picture of despair he exhibited. Time alone can remove the painful impressions which the appearance of poor Henry created as we parted. So even with the occasional letdown, there's a lot to be said for Rise Against pulling everything off with as much substance and strength as they do the whole way through.We arrived here early this morning after a most melancholy journey. Essentially, The Sufferer & the Witness showcases Rise Against maturing within the realms of major-label hardcore revivalism, while still remaining relevant and exciting. The excellent "Prayer of the Refugee" jarringly alternates between plaintive guitars and weary singing to an empowered chorus and exploding rhythm section to affectingly address the plight of displaced families of war the frustrated disconnect distressing a troubled relationship is represented surprisingly well in "The Approaching Curve," with its driving use of spoken word and complementary female backing vocals. This record is basically one shout-along, mosh-worthy song after another, though the guys do throw in some interesting moments outside of continual rushes of pure adrenaline. "Injection" and "Ready to Fall" bring things back into invigorating Rise Against territory early on, while "Bricks" stands out as a vicious blast of old-school hardcore energy and power. This later happens again in songs like "Under the Knife" and the ferocious-yet-still-slightly-missing "Worth Dying For," but moments like these are, in truth, more the exception than the rule. However, "Chamber the Cartridge" doesn't quite open the record with the same acidic bite as past lead tracks, as the chorus is lacking something in its delivery to really hit a nerve.
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As such, Rise Against continue to muscularly confront political and personal grievances to the tune of swirling guitars, assertive rhythms, and Tim McIlrath's sandpapered vocals. With producers Bill Stevenson and Jason Livermore manning the controls this time around, the band's inner grit is aptly drawn out amid all the pit-ready choruses and fist-in-the-air, stirring lyrics. After all, the band's sincerity and passion emerge very much intact - their socially conscious approach no less pressing - and new and old fans alike should take to Sufferer with open arms. Their melodic hardcore may still sound more mainstream accessible, but this can hardly be looked at as a bad thing. The Sufferer & the Witness finds Rise Against continuing on the path begun on 2004's well-received Siren Song of the Counter Culture.